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AUGUST   2 0 0 8

ENCOMIUM IN MEMORIAM VOL. 1: Jan Berry of Jan & Dean

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ENCOMIUM IN MEMORIAM VOL. 1
Jan Berry of Jan & Dean

Cinecam Music Productions presents . . .

An eclectic taste of California, from Surf to the Psychedelic era and beyond, based on the original arrangements . . .

An album featuring 30 tracks and more than 20 artists . . .

In the summer of 1958, America's first satellites were in orbit, the country was in its worst recession since World War II, Hula-Hoops were a household item, Elvis Presley was in the army, and Buddy Holly was still alive.

This is the era that spawned Jan Berry and Jan & Dean, as the West Coast music scene began to come to life.

As a singer-songwriter, Jan Berry had his first national Top 10 hit with "Jennie Lee" (as Jan & Arnie) in June 1958 — six months before Phil Spector hit #1 (as a writer-producer) with the Teddy Bears. Spector's Teddy Bears hit ("To Know Him Is To Love Him") was released on Doré Records — the same label that launched Jan & Dean into the Top 10 with "Baby Talk" in 1959.

Taking the reins from Lou Adler, Jan Berry signed songwriting and producing contracts with Nevins-Kirshner (1961) and Screen Gems (1963). It was this foundation — along with Jan's connection with Brian Wilson of the Beach Boys — that propelled Jan & Dean into the forefront of the California explosion of the early 1960s.

Jan & Dean — as part-time musicians attending college — scored 26 national chart records over the brief eight-year period between 1958 and 1966, including sixteen Top 40 hits on the Billboard and Cash Box charts (seven of which were Top 10).

The ride was cut short in April 1966, when Jan suffered brain damage in an automobile accident. But Jan got back on the horse, and returned to the studio in April 1967. The new ride was slow and painful. But it led to new music, a hit national television film about Jan & Dean (1978), and a touring reunion with Dean Torrence that lasted until Jan's untimely death in March 2004. This album pays homage to Jan's original arrangements — for Jan & Dean, and for artists for which Jan arranged and produced outside the realm of his own act.

The music presented here is based on Jan's personal archive of music charts and scores. The parts were always prepared ahead of time by Jan and his team, and these original documents — used by the Wrecking Crew to record the original tracks in the '60s — provide the foundation for this album.

PRODUCED BY:

Cameron Michael Parkes
and
Mark A. Moore

. . . with 20 pages of liner notes, photos, and illustrations

MASTERED BY:
Earle Mankey


TRACK LIST:

1. The Anaheim, Azusa & Cucamonga Sewing Circle, Book Review and Timing Association

2. It’s As Easy As 1, 2, 3

3. Dead Man’s Curve

4. Ace of Hearts

5. She’s My Summer Girl

6. “B” Gas Rickshaw (Quasimoto)

7. When It’s Over

8. I Found A Girl

9. Filet of Droll (Part 1)

10. Norwegian Wood (This Bird Has Flown)

11. Bat No. 4

12. Filet of Droll (Part 2)

13. Bat No. 1

14. Carnival of Sound

15. Blowin’ My Mind

16. Fan Tan

17. Love & Hate

18. I Know My Mind

19. Mulholland

20. Laurel & Hardy

21. Flight No. 9 (Cheyenne)

22. California Sunshine (On My Mind)

23. Continuous Eternal (A Prose Poem)  
 

BONUS TRACKS:

24. Anaheim, Azusa — “A Cappella” Excerpt

25. Fan Tan — “A Cappella” Excerpt

26. Audio Montage #1 — KJAN

27. Audio Montage #2 — Jan & Arnie

28. Audio Montage #3 — Jan & Dean — (Warning: Strong Language)

29. Audio Montage #4 — Jan Berry

30. Surf City — Garage Version

 

ARTISTS:

P. F. Sloan - (harmonica)
Eve of Destruction, Secret Agent Man, Fantastic Baggys
Background singer for Jan & Dean, 1964-66

Vic Diaz - (vocals)
Matadors, Gents, Sinners, "Tony, Vic, & Manuel"
Background singer for Jan & Dean, 1963

Jill Gibson - (vocals, album cover portrait artist)
Jan Berry's former girlfriend and songwriting partner
Brief member of the Mamas and the Papas
Photographer, Monterey Pop Festival (1967)

Tom Bahler - (vocals)
Love Generation, Partridge Family, Monkees, Elvis Presley, Frank Sinatra
Vocalist on Jan & Dean's unreleased album, "Carnival of Sound" (Warner Bros. 1968)

Mike Deasy - (guitar)
Former member of the Wrecking Crew
Guitarist on Jan & Dean's unreleased album, "Carnival of Sound" (Warner Bros. 1968)

David Marks - (guitar)
Beach Boys (original member), Dave & the Marksmen, The Moon, Solo Artist

Don Grady - (vocals)
The Yellow Balloon, Windupwatchband, "Robbie Douglas" on the sitcom "My Three Sons"

Paul Johnson - (guitar)
Belairs, Surfaris, Duo-Tones
Writer of Mr. Moto

Stephen Kalinich - (poetry)
Brian Wilson, Dennis Wilson, P. F. Sloan, Diana Ross

Probyn Gregory - (trumpet, flugelhorn, French horn, trombone)
Brian Wilson's Band, Wondermints, The Now People

Lisa Mychols - (vocals)
Masticators, Sweet Sinsations, Nobody's Girl, Nushu

Michael Carey Schneider - (vocals)
Sneaker, More than Just the Two of Us

Robbin Thompson - (vocals, guitar)
Tasmanians, Steel Mill with Bruce Springsteen, Robbin Thompson Band, Solo Artist

Tripsitter - (vocals)
California Son, Billy Hinsche, Al Jardine

Alan Boyd - (vocals, associate producer)
Filmmaker, Beach Boys archivist, Endless Harmony, Channel Surfin'

Billy Berry - (piano, vocals)
Jan Berry's younger brother

Laurie Biagini - (vocals)
Solo Artist

Charles Pett - (vocals)
Box o' Clox

Woolly Bandits and Special Guests - (vocals, guitar, bass, drums)
Say Hello To My Little Friend

David Beard - (vocals, design, art direction)
Beach Boys Scholar /Jan & Dean Photo Archivist & Scholar
Journalist, Designer, and Editor & Publisher of Endless Summer Quarterly

Cameron Michael Parkes - (vocals, keyboards, guitar, bass, percussion)
Box o' Clox, A Tribute to Brian Wilson

Mark A. Moore - (vocals, guitar, percussion)
Jan Berry / Jan & Dean Scholar

AUGUST   2 8   -   3 1,   2 0 0 8

Love Riot on Sunset Strip Weekend -- The Red Vic Movie House, Haight Street, San Francisco, California.

The film series based on the book "Riot on Sunset Strip: Rock 'n' Roll's Last Stand in Hollywood" makes its Bay area debut at this particularly groovy location a block and a half from Golden Gate Park, doors away from Amoeba Records.

Thursday, August 28 we'll screen a documentary filmed primarily in 1966 "You Are What You Eat," showing the emergent psychedelic scenes in both Los Angeles and San Francisco that year. All music, no narration, the film features footage of Frank Zappa's Mothers of Invention at the Shrine Auditorium 9/66, preceded by body painting at Vito's Studio on Laurel Way @ Beverly - plus, great footage of The Teen Age Fair at Hollywood Palladium.

Friday August 29 will be "Riot on Sunset Strip" starring Aldo Ray, but really starring The Standells, The Chocolate Watchband and "the people of Sunset Strip" circa late 1966 . . . A fantastic exploitation movie based on the sit-in demonstrations that centered around the closing of Pandora's Box nightclub (and several others) that year.

Saturday, August 30 will be "The Trip" starring Peter Fonda, Roger Corman's visualization of an acid trip on Sunset Strip during late 1966. A good deal of the film was shot in the home of Love's Arthur Lee. Cameo nightclub scene appearance by Gram Parsons in The International Submarine Band.

Sunday, August 31 will be UK director Chris Hall's documentary on the band Love, titled "Love Story". The movie features interviews with all the original members of this seminal Los Angeles band, including a guided tour of their old pad The Castle by group leader Arthur Lee.

Screenings will be hosted by "Riot on Sunset Strip" author Domenic Priore, with the hope that it brings some togetherness between San Francisco and Los Angeles, the two West Coast cities that shared so much positive, progressive hope during the mid-'60s, influencing London, New York and the planet during those heady times.

Riot on Sunset Strip Weekend:

Thursday, August 28 - You Are What You Eat (two screenings, night)

Friday, August 29 - Riot on Sunset Strip (two screenings, night)

Saturday, August 30 - The Trip (four screenings, day and night)

Sunday, August 31 - Love Story (UK documentary about the band Love, four screenings, day and night)

Red Vic Movie House
1727 Haight Street
San Francisco, California

(415) 668-3994

www.redvicmoviehouse.com

Johnny Echols
Johnny Echols of Love @ The Hullabaloo, Sunset & Vine, 1966

 
 

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